In the summer of 1968, a few days after the brutal suppression of the “Prague Spring”, the Czech émigré Rafael Kubelík conducted a gripping concert in his adopted home city of Lucerne: a Haydn Symphony, full of joie de vivre, and a passionately glowing account of Tchaikovsky’s Fourth Symphony frame Schoenberg’s Piano Concerto, played by the British piano legend John Ogdon in his only appearance at Lucerne Festival.more
"In between explosive passages bursting with energy, there are beautifully warm and colorful moments full of tenderness, and this spontaneous contrasting makes the music immensely exciting." (Pizzicato)
Rafael Kubelík conducts Haydn, Schoenberg & Tchaikovsky
Lucerne Festival "Historic Performances", Vol. XVIII
|release date:||2. September 2022|
|total time:||84 min.|
In the summer of 1968, a few days after the brutal suppression of the "Prague Spring", the Czech émigré Rafael Kubelík conducted a gripping concert in his adopted home city of Lucerne: a Haydn Symphony, full of joie de vivre, and a passionately glowing account of Tchaikovsky's Fourth Symphony framed Schoenberg's Piano Concerto, played by the British piano legend John Ogdon in his only appearance at the Lucerne Festival.
"Kubelík championed the Tchaikovsky symphony as if it were a declaration of the victory of the spirit, of freedom over all the forces of fate", commented a critic following the closing concert of the Lucerne Summer Festival in 1968. The historical parallels of the current situation with the Russian war of aggression in Ukraine are unmistakable: a few days before Rafael Kubelík's performance, the socialist reform movement in Prague was brutally crushed by the tanks of the Warsaw Pact. Kubelík, a Czech émigré who had adopted Lucerne as his new home, not only pleaded for a severance of artistic relations - an appeal which was supported by musicians such as Arthur Rubinstein, Yehudi Menuhin and Igor Stravinsky - but he also asked Lucerne concert-goers to support his "Foundation for Czechoslovak Émigrés after 21 August 1968". However, Kubelík stuck to the programme as originally planned, even though this caused controversy and was discussed in the newspapers: his dramatically pointed reading of Tchaikovsky's Fourth Symphony with strikingly abrupt changes in tempo and tone, heightening the orchestral virtuosity in the finale, is captivating and created a furore.
Kubelík opened the concert with the New Philharmonia Orchestra, as the Philharmonia Orchestra temporarily called itself following secession and re-establishment, with Haydn's Symphony in E flat major, Hob. I:99. Another highlight: Schoenberg's Piano Concerto with John Ogdon as soloist, who never recorded this work. With an unerring sense for the abruptly changing characters of this music and its ongoing variational processes, Ogdon and Kubelík succeeded in creating a faithful and comprehensible interpretation.
All three live recordings on this disc are first releases. The 32-page booklet in three languages provides a portrait of the conductor written by Wolfgang Stähr and also features photos from the festival archive, published here for the first time.
In cooperation with audite, Lucerne Festival presents the "Historic Performances" series featuring outstanding concert recordings of artists who have shaped the festival throughout its history. The aim of this CD edition is to rediscover treasures - most of which have not been released previously - from the first six decades of the festival, which was founded in 1938 with a special gala concert conducted by Arturo Toscanini. These recordings have been made available by the archives of SRF Swiss Radio and Television, which has broadcast the Lucerne concerts from the outset. Painstakingly remastered and supplemented with photos and materials from the Lucerne Festival archive, they represent a sonic history of the festival.
Ce concert(excellemment capté) du 8 septembre 1968, est à trois titres symbolique de la trajectoire de Rafael Kubelik : donné quelques jours aprèsMehr lesen
une restitution très aérée et à l’excellente dynamique ! [...] Dès l’appel initial des cors, on sent que l’orchestre pourrait imploser à tout moment. Le geste emporté, les ruptures de tempo, les virages abrupts faisant rougeoyer la matière sont assez irrésistibles.Mehr lesen
There are recordings that tell stories. And these stories resound anew in every new epoch. On the night of August 20-21, 1968, Soviet tanks rolledMehr lesen
The Piano Concerto has a bit of a reputation as a hard nut to crack, but the great John Ogdon fed off music like this and delivers a performance of wit [...] and lightness. The dialogues with the orchestra are miraculous – it is as if they had all been playing this work together for years. Mehr lesen
Ogdon spielt hier extrem textgenau, lässt für die Akzente seine schiere Kraft spielen, weiß aber auch extrem rhythmisch genau zu agieren.Mehr lesen
The interplay between the New Philharmonia strings, winds, and brass resounds in superb clarity of line, sober but impassioned, a testament to joie de vivre that political intimidation cannot quell. [...] Highly recommended, and turn up the speakers.Mehr lesen
On August 20-21, 1968, Russia-led troops from the Warsaw Pact invaded Prague. The period of expanded freedoms known as the Prague Spring was brutallyMehr lesen
[...] Tchaikovsky ist wohl kaum je intensiver, in den Rubati und melodienseligen chiaroscuro-Stimmungen aufregender und persönlicher erklungen als damals in Luzern. [...] Wahrhafter kann Musik und deren Interpretation nicht sein. Ein Ereignis.Mehr lesen
Dieses Album begreift den Livemitschnitt des Konzerts, das Rafael Kubelik am 8. September 1968 an der Spitze des damals als New Philharmonia OrchestraMehr lesen
Rafael Kubelík ne donne pas dans le rouleau compresseur de grands effets orchestraux et sa direction à la puissance d’un éclair qui galvanise les musiciens, on lui sait ainsi gré de ménager la mobilité de la masse orchestrale et une virtuosité précise et altière. Les pupitres de l’orchestre sont galvanisés et chauffés à blanc. Mehr lesen