

audite Musikproduktion
Hülsenweg 7
D-32760 Detmold
9 audite productions have been nominated for the International Classical Music Awards 2024. This means that 75% of this year's catalogue is represented in a total of 7 categories, once again demonstrating the quality and breadth of our recordings. Now it's time to keep your fingers crossed:
Our August release Franz Liszt: A Faust Symphony, S. 108 - Mephisto Waltz No. 3, S. 216 with the Staatskapelle Weimar under the baton of Kirill Karabits prevailed in the pre-selection of 238 new CD releases and received the PdSK Quarterly Prize in the category "Orchestral Music".
We are very happy about this appreciation!
Mona Sachße visited us in the studio for our audite anniversary and compiled a label portrait for WDR 3 "TonArt". Here you can listen to the full interview!
On the occasion of audite's 50th anniversary, Ludger Böckenhoff answered NDR Kultur's questions about the label's positioning in an increasingly challenging music market. You can find the full interview here!
155 jurors from 32 specialist juries have chosen a total of 238 titles (CDs, DVDs and audiobooks) from the new releases of the last quarter and nominated them for the Quarterly Critics' Choice ("Bestenliste") 4/2023 of the German Record Critics' Award (PdSK), which will be published on 15 November.
Our world premiere recording of the Dessau opera Lanzelot has been named CD of the Year by the critics' poll of the specialist magazine Opernwelt. We are very pleased about this appreciation!
Join us celebrating audite's 50th label anniversary!
After our world premiere recording Paul Dessau: Lanzelot was already nominated in two categories and won the Quarterly Prize of the German Record Critics' Award (PdSK), it now also finds itself on the longlist for the Annual Prize.
156 jurors from 32 specialist juries have chosen a total of 258 titles (CDs, DVDs and audiobooks) from the new releases of the last quarter and nominated them for the Quarterly Critics' Choice ("Bestenliste") 3/2023 of the German Record Critics' Award (PdSK), which will be published on 15 August.
Among them are two current audite releases: In the category "Concertos" the production "Pietro Antonio Locatelli: Introduttioni teatrali" with the Thüringer Bach Collegium was selected and in the category "Early Music" the latest release by Alex Potter and la festa musicale "ANTONIO: Lotti - Caldara - Vivaldi" was nominated.
We are very pleased about this appreciation!
Our January release Paul Dessau: Lanzelot, which was nominated for two categories at once, prevailed in the pre-selection of 246 new CD releases and received the PdSK Quarterly Prize in the category "Opera".
William Byrd war einer der bedeutendsten englischen Komponisten aller Zeiten und hat mit seinen Motetten, Consortwerken und Songs ganz entscheidend die hochklassige elisabethanische Musikkultur geprägt. Anlässlich seines 400. Todestages haben sich nun gleich zwei Sopranistinnen und zwei Consorts zusammengefunden, um unter dem Motto "On Byrd’s Wings"
Crescendo Magazine est heureux de vous présenter la sélection de ses Millésimes 2023. Un panorama en 12 albums et DVD qui vous propose le meilleur du meilleur des parutions. Entre novembre 2022 et novembre 2023, Crescendo Magazine a publié près de 540 critiques d’enregistrements audio, déclinés en formats physiques et numériques ou en DVD et
Liszts Tondichtung »Eine Faust-Sinfonie« gehört wie auch viele andere seiner Partituren zu den ungehobenen Schätzen des 19. Jahrhunderts. Nur selten ist das 1854 entstandene und später durch einen »Chorus mysticus« im Finale erweiterte Werk live zu erleben. Die Einspielung mit der Staatskapelle Weimar unter Kirill Karabits rückt die Komposition ins
NOUVELLE PRODUCTION
Opéra en 7 tableaux (version de 1869)
Livret du compositeur d’après Alexandre Pouchkine et l’Histoire de l’État russe…
Théâtre du Capitole
Toulouse
NOUVELLE PRODUCTION
Opéra en 7 tableaux (version de 1869)
Livret du compositeur d’après Alexandre Pouchkine et l’Histoire de l’État russe…
Théâtre du Capitole
Toulouse
Oper von Richard Wagner;
Regie: Barbora Horáková;
Staatskapelle Weimar
Großes Haus DNT
Weimar