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Bach’s music – an eternal miracle! In order to trace its inner architecture and its genius, Christoph Harer has created baroque transcriptions of Bach’s sources and produced three vivid “Neubrandenburg Concertos”. By playing creatively with original works, new and unexpected perspectives emerge.more

Johann Sebastian Bach | Christoph Harer

Bach’s music – an eternal miracle! In order to trace its inner architecture and its genius, Christoph Harer has created baroque transcriptions of Bach’s sources and produced three vivid “Neubrandenburg Concertos”. By playing creatively with original works, new and unexpected perspectives emerge.

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Johann Sebastian Bach | Christoph Harer Neubrandenburg Concerto No. 1 (26:20) la festa musicale

I. Vivace (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Christmas Oratorio, BWV 248) (06:34)
II. Aria (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (02:18)
II. Aria – Variation 1 (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (01:37)
II. Aria – Variation 2 (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (01:21)
II. Aria – Variation 3. Più allegro (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (01:05)
II. Aria – Variation 4 (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (02:30)
II. Aria – Variation 5 (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (01:28)
II. Aria – Variation 6 (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (01:05)
II. Aria – Variation 7 (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (01:04)
II. Aria – Variation 8. Tempo primo (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (02:30)
III. Adagio ad libitum (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo) (00:23)
IV. Presto (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Italian Concerto for Harpsichord, BWV 971/3) (04:25)

Johann Sebastian Bach | Christoph Harer Neubrandenburg Concerto No. 2 after BWV 1064 (17:27) la festa musicale

I. Allegro (Transc. by Harer for Three String Trios and Basso Continuo, after Bach's Concerto for Three Harpsichords, Strings and Basso Continuo in C Major, BWV 1064) (06:11)
II. Adagio (Transc. by Harer for Three String Trios and Basso Continuo, after Bach's Concerto for Three Harpsichords, Strings and Basso Continuo in C Major, BWV 1064) (06:41)
III. Allegro (Transc. by Harer for Three String Trios and Basso Continuo, after Bach's Concerto for Three Harpsichords, Strings and Basso Continuo in C Major, BWV 1064) (04:35)

Johann Sebastian Bach | Christoph Harer Neubrandenburg Concerto No. 3 (20:56) la festa musicale

I. Allegro (Transc. by Harer for Transverse Flute, Scordatura Violin, Lute, Strings and Basso Continuo, after Bach's Sonata for Viola da Gamba and Harpsichord, BWV 1029/1) (05:21)
II. Adagio ma non tanto e dolce (Transc. by Harer for Transverse Flute, Scordatura Violin, Lute, Strings and Basso Continuo, after Bach's Triple Concerto, BWV 1044/2 and Organ Trio Sonata, BWV 527/2) (06:28)
III. Gavotte I – Gavotte II (Transc. by Harer for Transverse Flute, Scordatura Violin, Lute, Strings and Basso Continuo, after Bach's English Suite for Harpsichord, BWV 808/5) (03:23)
IV. Aria (Transcr. by Harer for Transverse Flute, Scordatura Violin, Lute, Strings and Basso Continuo, after Bach’s “Gedenke doch, mein Geist, zurücke” for Soprano and Basso Continuo, BWV 509) (02:56)
V. Allegro (Transcr. by Harer for Transverse Flute, Scordatura Violin, Lute, Strings and Basso Continuo, after Bach’s Overture in the French Style for Harpsichord, BWV 831/8) (02:48)
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