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BACH reconstructed Kreatives Spiel mit den Originalen

Name: Neubrandenburg Concerto No. 3, V. Allegro (Transcr. by Harer for Transverse Flute, Scordatura Violin, Lute, Strings and Basso Continuo, after Bach’s Overture in the French Style for Harpsichord, BWV 831/8)
Brand: audite Musikproduktion
SKU: 9291

Bachs Musik – ein ewiges Wunder! Um ihrer inneren Architektur, ihrer Genialität nachzuspüren, hat Christoph Harer aus Bach'schen Vorlagen barocke Transkriptionen erstellt und zu drei spielfreudigen „Neubrandenburgischen Konzerten“ zusammengefügt. Durch das kreative Spiel mit den Originalen eröffnen sich auf diese Weise neue, ungeahnte Perspektiven.mehr

la festa musicale

Johann Sebastian Bach | Christoph Harer

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Johann Sebastian Bach | Christoph Harer Neubrandenburg Concerto No. 1 (26:20) la festa musicale

I. Vivace (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Christmas Oratorio, BWV 248) (06:34)

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II. Aria (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (02:18)

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II. Aria – Variation 1 (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (01:37)

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II. Aria – Variation 2 (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (01:21)

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II. Aria – Variation 3. Più allegro (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (01:05)

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II. Aria – Variation 4 (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (02:30)

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II. Aria – Variation 5 (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (01:28)

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II. Aria – Variation 6 (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (01:05)

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II. Aria – Variation 7 (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (01:04)

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II. Aria – Variation 8. Tempo primo (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Aria variata alla maniera italiana, BWV 989) (02:30)

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III. Adagio ad libitum (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo) (00:23)

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IV. Presto (Transcr. by Harer for Soprano Recorder, Oboe, Bassoon, Strings and Basso Continuo, after Bach’s Italian Concerto for Harpsichord, BWV 971/3) (04:25)

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Johann Sebastian Bach | Christoph Harer Neubrandenburg Concerto No. 2 after BWV 1064 (17:27) la festa musicale

I. Allegro (Transc. by Harer for Three String Trios and Basso Continuo, after Bach's Concerto for Three Harpsichords, Strings and Basso Continuo in C Major, BWV 1064) (06:11)

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II. Adagio (Transc. by Harer for Three String Trios and Basso Continuo, after Bach's Concerto for Three Harpsichords, Strings and Basso Continuo in C Major, BWV 1064) (06:41)

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III. Allegro (Transc. by Harer for Three String Trios and Basso Continuo, after Bach's Concerto for Three Harpsichords, Strings and Basso Continuo in C Major, BWV 1064) (04:35)

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Johann Sebastian Bach | Christoph Harer Neubrandenburg Concerto No. 3 (20:56) la festa musicale

I. Allegro (Transc. by Harer for Transverse Flute, Scordatura Violin, Lute, Strings and Basso Continuo, after Bach's Sonata for Viola da Gamba and Harpsichord, BWV 1029/1) (05:21)

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II. Adagio ma non tanto e dolce (Transc. by Harer for Transverse Flute, Scordatura Violin, Lute, Strings and Basso Continuo, after Bach's Triple Concerto, BWV 1044/2 and Organ Trio Sonata, BWV 527/2) (06:28)

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III. Gavotte I – Gavotte II (Transc. by Harer for Transverse Flute, Scordatura Violin, Lute, Strings and Basso Continuo, after Bach's English Suite for Harpsichord, BWV 808/5) (03:23)

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IV. Aria (Transcr. by Harer for Transverse Flute, Scordatura Violin, Lute, Strings and Basso Continuo, after Bach’s “Gedenke doch, mein Geist, zurücke” for Soprano and Basso Continuo, BWV 509) (02:56)

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V. Allegro (Transcr. by Harer for Transverse Flute, Scordatura Violin, Lute, Strings and Basso Continuo, after Bach’s Overture in the French Style for Harpsichord, BWV 831/8) (02:48)

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Details

BACH reconstructed
Artikelnummer:	97.816
EAN-Code:	4022143978165
Preisgruppe:	BCA
Veröffentlichungsdatum:	5. Juli 2024
Spielzeit:	64 min.

Zusatzmaterial

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BACH reconstructed

„Neubrandenburgische Konzerte" nach Bach'schen Vorlagen

Dem Wunder der Bach'schen Musik auf der Spur: Klingende Kunstwerke wie die Brandenburgischen Konzerte haben den Entdeckergeist des Ensembles geweckt. Um ihre innere Architektur, ihre Genialität besser zu verstehen, hat Ensemblemitglied Christoph Harer im Austausch mit Soli und Orchester aus Bach'schen Vorlagen barocke Transkriptionen erstellt und zu drei "Neubrandenburgischen Konzerten" zusammengefügt.

So wird aus einem Cembalokonzert Musik für drei wetteifernde Streichtrios. Aus Solo- und Kammermusik entstehen farbig besetzte Konzertsätze unterschiedlicher Besetzung. Und ein schlichter Vanitasgesang wandelt sich zu einer träumerischen Streicheraria.

Dabei läuft la festa musicale zu Hochform auf: Solistische Einsätze verteilen sich aufs ganze Orchester, die Konzerte werden von der Virtuosität und der Fantasie vieler gemeinsam getragen. Durch das kreative Spiel mit den Originalen eröffnen sich auf diese Weise neue, ungeahnte Perspektiven auf Bachs großartige Musik.

Besprechungen

Das Orchester | 12/2024 | Daniel Knödler | 1. Dezember 2024 | Quelle: https://dasorche...

Genauso farbig wie die Instrumentierung der Neubrandenburgischen Konzerte ist das Spiel des Ensembles la festa musicale. Die Soli sind virtuos und klangschön, das Zusammenspiel ist überaus präzise und die Balance zwischen den einzelnen Instrumentengruppen stimmt durchgehend. [...] das glasklare Spiel [trägt] diese drei Konzerte absolut sicher ins Ziel.Mehr lesen

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Note 1 - Neuheitenheft | Heft 3 - 2024 | 1. September 2024 Nach barocker Manier

Barocke Meisterwerke wie Johann Sebastian Bachs Brandenburgische Konzerte haben immer wieder den Wunsch nach weiteren Stücken dieser Art geweckt; imMehr lesen

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RBB Kulturradio | radio 3, Donnerstag, 22.08.2024 | Bernhard Schrammek | 22. August 2024 | Quelle: https://www.radi... BROADCAST

Die Brandenburgischen Konzerte von Johann Sebastian Bach sind bei Musikern und Publikum in aller Welt populär. Sie begeistern vor allem in ihrerMehr lesen

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www.musicweb-international.com | August 8, 2024 | Stephen Barber | 8. August 2024 | Quelle: https://musicweb...

Bach, like some other eighteenth century composers, was an inveterate reuser of his compositions, sometimes transplanting a movement wholesale intoMehr lesen

Bach, like some other eighteenth century composers, was an inveterate reuser of his compositions, sometimes transplanting a movement wholesale into another work, and sometimes transcribing it for a different combination of forces. Sometimes both the original and the transcription have survived, and sometimes just the one or the other. The keyboard concertos, for example, are all thought to have been written originally for a variety of single line instruments: violin, flute, oboe or others. Modern scholarship has reconstructed the originals and nowadays these are often played in preference to the extant versions. And his music has also showed itself amenable to transcription for instruments he did not know, such as the symphony orchestra, marimba or synthesiser.

There is therefore nothing to take exception to in Christoph Harer, the moving spirit behind this project as well as the cellist in them, doing something similar. All those who love the Brandenburg Concertos wish there were more of them, beyond the six Bach actually composed. Harer has given us three more, which he calls New Brandenburg Concertos. (Actually, he is not the first to do so: some years ago Bruce Haynes assembled a set of six drawn mainly from cantata movements, which he called Brandenburg Concertos 7 to 12, recorded by Bande Montreal Baroque under Eric Milnes on Atma Classique.) No. 2 is a straight transcription of the Concerto for three keyboards BWV 1064 for three string trios and bass continuo, in three movements. Nos. 1 and 3 draw from various sources, some familiar and some not. No. 1 is in four movements and No 3 in five. The details are provided in the sleevenote.

Harer says that he and his team experimented a good deal before arriving at the final versions which they have recorded. He has been at pains to distribute solo lines across the whole of his ensemble, and there is an interesting variety of these. including both recorder and transverse flute, oboe, bassoon, scordatura violin (with one string tuned unconventionally low) and lute. His ensemble, La Festa Musicale, was founded in 2014 and has already made a number of recordings. They play with zest and verve and the result is some delightful listening. The recording is good, the sleevenote helpful and I hope they go on to give us some more New Brandenburg Concertos.

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Hannoversche Allgemeine Zeitung | Donnerstag, 8. August 2024 | Stefan Arndt | 8. August 2024 | Quelle: https://www.haz.... Der neue Blick
Das hannoversche Barockensemble „La festa musicale“ wird zehn und feiert mit Festival und neuem Album

Für die hannoverschen Barockspezialisten sind Bachs „Brandenburgische Konzerte“ ein Mittelpunkt, um den sich ihre musikalische Welt dreht. In den Stücken können sie ihre Stärken als Solisten und als Ensemblespieler voll ausleben. Es gibt aber nur sechs davon. Harer hat sie zum Vorbild genommen, um aus verschiedenen anderen Bach-Stücken drei neue Werke für konzertierendes Orchester zu arrangieren. Mehr lesen

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De Gelderlander | 17-07-24 | Maarten-Jan Dongelmans | 17. Juli 2024 | Quelle: https://www.geld... Fans vallen met 'Bach reconstructed' met de neus in de boter

[Je kan] horen dat Harer en zijn collega's van la festa musicale er schik in hebben. De nieuw geïnstrumenteerde stukken klinken als een klok. Sterker nog: wie de cd opzet valt meteen met de neus in de boter.Mehr lesen

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WDR 5 | 17.07.2024 Scala - aktuelle Kultur | Tom Daun | 17. Juli 2024 | Quelle: https://www1.wdr... BROADCAST

"Bach reconstructed" heißt das neue Album des kleinen und feinen Barock-Ensembles "La festa musicale". Tom Daun hat mit Christoph Harer, einem derMehr lesen