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Jimin Oh-Havenith dedicates this volume of her Schumann edition to his variations, which form the beginning, the core, and the conclusion of his unique piano oeuvre.more

Jimin Oh-Havenith dedicates this volume of her Schumann edition to his variations, which form the beginning, the core, and the conclusion of his unique piano oeuvre.

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Robert Schumann Thème sur le nom Abegg varié pour le pianoforte, Op. 1 'Abegg Variations' (08:21) Jimin Oh-Havenith

Robert Schumann XII Études symphoniques, Op. 13 'Symphonic Etudes' (27:39) Jimin Oh-Havenith

Etude 1. Un poco più vivo (01:24)
Etude 3. Vivace (01:31)
Etude 6. Agitato (01:03)
Etude 7. Allegro molto (01:28)
Etude 9. Presto possibile (00:48)
Etude 12. Allegro brillante (07:50)

Robert Schumann Symphonic Etudes, Op. 13, Appendix (posthumous variations) (12:23) Jimin Oh-Havenith

Robert Schumann Theme and Variations, WoO 24 'Ghost Variations' (14:14) Jimin Oh-Havenith

Theme. Leise, innig (02:40)
Variation 2. Canonisch (02:28)
Variation 3. Etwas belebter (02:16)


Bonustracks (03:05)

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Romance in F-Sharp Major, Op. 28/2 (03:05)

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Details

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article number: 97.840
EAN barcode: 4022143978400
price group: BCA
release date: 7. August 2026
total time: 65 min.

Bonus Material

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In the fourth instalment of her widely acclaimed Schumann edition, Jimin Oh-Havenith turns to his works for piano in variation form. Three of the pieces recorded here occupy a singular place in Schumann's biography: both his first published composition, the Abegg Variations, and his final completed work, the so-called Ghost Variations, belong to this genre. The twelve Symphonic Etudes - situated chronologically at the heart of his piano output of the 1830s, long revered by pianists yet equally feared for their formidable technical demands - are likewise variations on a theme.

Whereas the young Schumann, in the Abegg Variations, conjured a sparkling and virtuosic play on musical letters from the name of a Heidelberg acquaintance, the Ghost Variations unfold as a deeply moving dialogue between the gravely ill composer and his great models, Schubert and Mendelssohn Bartholdy. This extraordinary breadth of expression once again affords Jimin Oh-Havenith the opportunity to demonstrate the intensity and originality of her Schumann interpretation.

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