The Raven Nevermore

“As artists we are chroniclers of the emotions of a particular time, and if we are lucky, our chronicles radiate a little, illuminating the path” (Moritz Eggert). This recording with the Stuttgart Kammerorchester shows how diverse these paths and emotions can be. The spectrum ranges from pieces such as “Der Rabe Nimmermehr Ouvertüre” to “Tetragrammaton”, specially composed for the ensemble, as well as “Ich bin der Welt abhanden gekommen”, a homage to Mahler and the almost extinct tradition of the orchestral chanson which was written with, and for, Inga Humpe.