Rezension andante 2010 May | May 1, 2010 koreanische Rezension siehe PDF...
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Rezension andante 2010 December | December 1, 2010 Solomon
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Rezension andante 2011 January | January 1, 2011 Erica Morini
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Rezension auditorium January 2011 | January 1, 2011 Erica Morini
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Rezension La Musica 2010 August | August 1, 2010 Wagner & R. Strauss
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Rezension Südwest Presse Donnerstag, 24. Februar 2011 | Jürgen Kanold | February 24, 2011 Bevorzugt spätromantisch
Ungarischer Dirigent führt mit ungarischen Solisten das Werk des ungarischen...
Rezension Piano News 2/2011 (März/April) | Carsten Dürer | March 1, 2011 Pohjola und Kollegen
Wenn es um Durchsicht von historischen Aufnahmen geht, ist man nicht gefeit...
Rezension Spiegel online Montag, 28. Februar 2011 | Johannes Saltzwedel | February 28, 2011 Felix Mendelssohn Bartholdy: "Klaviertrios" (Audite)
Viele Ensembles haben diese Werke gespielt; und schlecht klingen sie schon dank...
Rezension Kulturspiegel März 2011, Heft 3 | Johannes Saltzwedel | March 1, 2011 Felix Mendelssohn Bartholdy: "Klaviertrios" (Audite)
Viele Ensembles haben diese Werke gespielt; und schlecht klingen sie schon dank...
Rezension theartsdesk.com Saturday, 26 February 2011 | Graham Rickson | February 26, 2011 Tchaikovsky: Violin Concerto (plus works by Tartini, Kreisler, Brahms, Vivaldi and Wieniawski)
Described by one commentator as “probably the greatest woman violinist who ever lived”, Erica Morini (1905-1995) responded curtly by saying, “A violinist is a violinist and I am to be judged as one – not as a female musician.” From an Austrian Jewish family, she emigrated in 1938 and eventually became a US citizen. She was close to Bruno Walter, Pablo Casals and George Szell but made few recordings, and this marvellously restored CD gives us performances taken from German radio archives. The main draw is a slightly cut version of the Tchaikovsky concerto, accompanied by the brilliant Hungarian conductor Ferenc Fricsay. It’s a thrilling account, and in remarkably clear, well-balanced mono sound.
The violin and piano couplings are fun; Respighi’s anachronistic arrangement of a Vivaldi sonata swoons and smoulders inauthentically, and miniatures by Brahms, Kreisler and Wieniawski sparkle. As mentioned, the excellent recorded sound needs no apologies and the notes are fascinating.
The violin and piano couplings are fun; Respighi’s anachronistic arrangement of a Vivaldi sonata swoons and smoulders inauthentically, and miniatures by Brahms, Kreisler and Wieniawski sparkle. As mentioned, the excellent recorded sound needs no apologies and the notes are fascinating.