Reviews
http://theclassicalreviewer.blogspot.de | Friday, 7 February 2014 | February 7, 2014 |
Carsten Wiebusch draws some beautiful colours and textures from the Klais…
The organist Carsten Wiebusch was born in 1969 in Göttingen and studied at the conservatories in Dusseldorf and Stuttgart and at the Folkwang SchoolMehr lesen
Fanfare | 06.02.2014 | George Chien | February 6, 2014 |
My first Karl Ristenpart review appeared way back in Fanfare 2:5, actually before the magazine adopted its current method of identifying back issues.Mehr lesen
Fanfare | February 2014 | Mortimer H. Frank | February 6, 2014 |
At a bit more than 81 minutes, this may well be the longest CD currently available. Perhaps what is most remarkable about it is that its sound is inMehr lesen
Lippische Landeszeitung | Donnerstag, 6. Februar 2014 | Thomas Klingebiel | February 6, 2014 |
Eine Herzenssache
Das Glück ist wankelmütig und weilt nicht gern am selben Ort. Der menschliche Regelfall ist eher das Warten auf Glück, die Hoffnung, dass es sichMehr lesen
www.examiner.com | February 5, 2014 | Stephen Smoliar | February 5, 2014 |
Further recordings of early Celibidache released by audite
At the end of last year, I wrote about the audite release of an extensive collection of archival recordings of Sergiu Celibidache’s early work as aMehr lesen
www.ClassicsToday.com | 04.02.2014 | David Hurwitz | February 4, 2014 |
Historical Gems: Morini’s Tchaikovsky, Really, Really Live
Erica Morini tears into the Tchaikovsky concerto like a woman possessed; indeed, in the finale she more or less leaves Fricsay and the orchestraMehr lesen
Gesellschaft Freunde der Künste | 02.02.2014 | GFDK | February 2, 2014 |
Musik Klassik: Ina Siedlaczek überzeugt mit ihrer Schlichtheit und…
Mit der Hamburger Ratsmusik
Fortuna scherzosa, nach Telemanns gleichnamiger Kantate, stiftet den inhaltlichen Rahmen für die eingespielten Werke: Es geht um Hoffnung, SehnsuchtMehr lesen
The Strad | February 2014 | David Denton | February 1, 2014 |
We may have grown accustomed to closely recorded string quartets in a relatively dry acoustic, but this Audite release is quite different in itsMehr lesen
The Strad | February 2014 | David Denton | February 1, 2014 |
We may have grown accustomed to closely recorded string quartets in a relatively dry acoustic, but this Audite release is quite different in itsMehr lesen
www.musicweb-international.com | February 2014 | John Quinn | February 1, 2014 |
At the end of World War II the Romanian conductor, Sergiu Celibidache (1912-1996) enjoyed a meteoric rise to fame. Having studied composition andMehr lesen
The Strad | February 2014 | Robin Stowell | February 1, 2014 |
Audite’s series of the Amadeus Quartet’s radio archive recordings for RIAS–Berlin continues with fascinating snapshots of that ensemble’sMehr lesen
Image Hifi | 2/2014 | Heinz Gelking | February 1, 2014 |
Auf dem Gipfel der Romantik: Klavierquintette von Schumann, Brahms und…
Klaviersonate, Streichquartett oder Violinsonate – fast alle Kammermusik-Formate erhielten durch Haydn, Mozart, Beethoven ihre Gestalt und wurden imMehr lesen
www.opusklassiek.nl | februari 2014 | Aart van der Wal | February 1, 2014 |
Karl Ristenpart was 46 toen hij in 1946 bij de RIAS (Rundfunk Im Amerikanischen Sektor) in Berlijn aantrad. Hij had gestudeerd aan de conservatoria inMehr lesen
Das Orchester | 2/2014 | Bernhard Uske | February 1, 2014 |
Die Berliner Aufnahmen Sergiu Celibidaches sind ein Dokument ersten Ranges, was Produktivität und Kompetenz des Musiklebens keine zwei Monate nachMehr lesen
Gramophone | February 2014 | Nalen Anthoni | February 1, 2014 |
Not perfunctory but not penetrating either. The Quartetto di Cremona are equal to technical demands but often wary of total involvement. A commitmentMehr lesen
Gramophone | February 2014 | Nalen Anthoni | February 1, 2014 |
Not perfunctory but not penetrating either. The Quartetto di Cremona are equal to technical demands but often wary of total involvement. A commitmentMehr lesen
Musica | numero 253 - Febbraio 2014 | Piero Rattalino | February 1, 2014 |
Nel n. 249 di MUSICA ho ampiamente recensito il primo volume (sette CD), comprendente le musiche di Beethoven che il Quartetto Amadeus registrò perMehr lesen
kirchmusik.de | 01.02.2014 | Rainer Goede | February 1, 2014 |
Nach nicht weniger als acht Einspielungen der Vierne-Symphonien – die erste 1976 durch Viernes inzwischen ebenso legendären Nachnachfolger anMehr lesen
Musica | numero 253 - Febbraio 2014 | Piero Rattalino | February 1, 2014 |
Nel secondo volume della integrale dei Quartetti di Beethoven che il Quartetto di Cremona sta realizzando per la Audite si trovano due... clientiMehr lesen
Musica | numero 253 - Febbraio 2014 | Piero Rattalino | February 1, 2014 |
Nel secondo volume della integrale dei Quartetti di Beethoven che il Quartetto di Cremona sta realizzando per la Audite si trovano due... clientiMehr lesen