Series at present 2 productions Anne-Cathérine Heinzmann: Works for Flute
In the twentieth century, the flute underwent a remarkable revival as a solo instrument. The first part of this series includes amongst others sonatas by Henri Dutilleux and Francis Poulenc which represent the impulse for this development, originated in France. Beside works for flute by Paul Hindemith, Robert Muczynski and Frank Martin they belong to the core repertoire of this instrument. The second part of this series deals with rearly heard works by Schulhoff, Smit, Gál, Raphael and Tansman. In their respective aesthetics, each composer shares the ability to use forms and models of music history as inspiration for his own modern musical language. Existentially, they shared a common fate: all were persecuted by the National Socialists. Some were murdered in concentration camps and others fled to continue their lives in exile.
Anne-Cathérine Heinzmann is one of the most renowned German flautists of her generation. She regularly performs as a soloist, chamber and orchestral musician in Germany and across the globe. She is co-principal flute of the Opern- und Museumsorchester Frankfurt am Main; in addition, since October 2009 she is Professor of Music at the Hochschule für Musik in Nuremberg.
Anne-Cathérine Heinzmann is one of the most renowned German flautists of her generation. She regularly performs as a soloist, chamber and orchestral musician in Germany and across the globe. She is co-principal flute of the Opern- und Museumsorchester Frankfurt am Main; in addition, since October 2009 she is Professor of Music at the Hochschule für Musik in Nuremberg.
