Series

at present 6 productionsMusic from the Muri Monastery Church

The practice of multiple choir music-making reached a climax with Giovanni Gabrieli in the balconies of San Marco in Venice towards the end of the 16th century, and from there gained a wide style-forming influence far beyond the borders of Italy. The...

92572 - Echo & Risposta – Virtuoso instrumental music from the galleries of the Abbey Church of Muri

97540 - Paradisi Gloria - Sacred music by Emperor Leopold I

at present 2 productionsAnne-Cathérine Heinzmann: Works for Flute

In the twentieth century, the flute underwent a remarkable revival as a solo instrument. The first part of this series includes amongst others sonatas by Henri Dutilleux and Francis Poulenc which represent the impulse for this development,...

92667 - Poulenc - Hindemith - Dutilleux - Muczynski - Martin

97701 - Schulhoff - Smit - Gál - Raphael - Tansman

3 of 3 productionsString Quartets by Brahms and His Contemporaries (Gernsheim, von Herzogenberg and Dessoff) with the Mandelring Quartet

This edition compares and contrasts string quartets of Johannes Brahms and his contemporaries Friedrich Gernsheim, Heinrich von Herzogenberg and Felix Otto Dessoff on three CDs.
There were close contacts as well as...

97503 - String Quartets by Brahms (Op. 51, No. 1) & Gernsheim (Op. 31)

97504 - String Quartets by Brahms (Op. 67) & Herzogenberg (Op. 42, No.1)

97505 - String Quartets by Brahms (Op. 51, No. 2) & Dessoff (Op. 7)

2 of 2 productionsBach and his predecessors

This series impressively documents, on two SACDs, the influences of both North and South German composers on the organ works of Johann Sebastian Bach.
Whereas contrasting his compositions with works of Georg Böhm and Dieterich Buxtehude...

92547 - Bach and the North German Tradition Vol. I

92548 - Bach and the South German Tradition Vol. II

at present 5 productionsChristmas Music

A compilation of Christmas vocal, choir and organ music, enriched by the complete recording of Bach's "Christmas Oratorio" made in 1950 under the direction of Karl Ristenpart and with numerous leading interpreters of that time.