Ihre Suchergebnisse (9830 gefunden)

Neuigkeit Oct 2, 2019 | Wencke Wallbaum News & Rezension Prestigious awards for audite productions

The Diapason d'or (literally "Golden Tuning Fork" in French) is a recommendation of outstanding (mostly) classical music recordings given by reviewers of Diapason magazine in France, broadly equivalent to "Editor's Choice", "Disc of the Month" in the British Gramophone magazine.

The Diapason d'or de l'Année (literally "Golden Tuning Fork of the Year") is a more prestigious award, decided by a jury comprising critics from Diapason and broadcasters from France Musique, and is comparable to the United Kingdom's (UK) Gramophone Awards, associated with the Gramophone magazine.

The Diapason d'or is considered one of the most important independent European record awards for classical music.

Neuigkeit Nov 20, 2019 | Kristina Damiani News 9 audite productions nominated for ICMA 2020

A total of 9 audite productions was nominated for the International Classical Music Awards 2020. Among them new releases with Kirill Karabits and the Staatskapelle Weimar, (Joyce El-Khoury /Airam Hernandez / Oleksandr Pushniak), Franziska Pietsch / Josu de Solaun, Andrea Lucchesini, Thüringer Bach Collegium and Trio Lirico. In the field of historical releases productions from the LUCERNE FESTIVAL series (Edith Mathis / Karl Engel) and from the RIAS archive (Moshe Atzmon, Jorge Bolet Vol. III) were nominated.

We are very happy about these nominations!

The International Classical Music Awards (ICMA) are the successors of the MIDEM Classical Awards respectively the Cannes Classical Awards. The ICMA jury consists of professional music critics of important magazines, online services and radio stations:
Andante (Turkey), Crescendo (Belgium), das Orchester (Germany), Gramofon (Hungary), Unison Croatian Music Alliance (Croatia), IMZ (Austria), MDR Kultur (Germany), Musica (Italy), Musical Life (Russland), Musik & Theater (Switzerland), Opera (UK), Orpheus Radio (Russia), Pizzicato (Luxembourg), Polskie Radio Chopin (Poland), Radio 100,7 (Luxembourg), Resmusica.com (France), Rondo Classic (Finland) and Scherzo (Spain).

The finalists will be known by December 16, and the ICMA winners will be published on 21 January 2020.
The Award Ceremony and Gala concert will take place at the Teatro de la Maestranza in Seville, Spain, on 30 April 2020, with the Royal Symphony Orchestra of Seville conducted by John Axelrod.

The following audite productions were nominated:

Baroque Instrumental:
Johann Ernst IV. von Sachsen-Weimar: Concerti
Rupprecht Drees | David Castro-Balbi
Thüringer Bach Collegium
Gernot Süßmuth

Solo Music:
Works for Solo Violin: Bartók - Prokofiev - Ysaÿe
Franziska Pietsch

Late Piano Works, Vol. 1
Andrea Lucchesini

Chamber Music:
String Trios by Weinberg - Penderecki - Schnittke
Trio Lirico

Richard Strauss & Dmitri Shostakovich: Sonatas for Violin & Piano
Franziska Pietsch | Josu de Solaun

Contemporary Music:

György Kurtág: Scenes
György Kurtág

Assorted Programs:
Franz Liszt: Sardanapalo - Mazeppa
Joyce El-Khoury | Oleksandr Pushniak | Airam Hernández
Staatskapelle Weimar | Damen des Opernchores des Deutschen Nationaltheaters Weimar
Kirill Karabits

Historic Recordings:
Jorge Bolet: The Berlin Radio Recordings, Vol. III
Jorge Bolet
Radio-Symphonie-Orchester Berlin
Moshe Atzmon

Edith Mathis sings Mozart, Bartók, Brahms, Schumann and Strauss: Selected Lieder
Edith Mathis | Karl Engel

Neuigkeit Nov 22, 2019 | Wencke Wallbaum News audite winter sale: 25% and more on all physical products

​Until 18.12.2019 we are offering on all orders via audite.de a discount of 25% on all physical products. The discount applies to physical releases such as CDs, SACDs and LPs.
In addition, you will find in our section "Special Offer" a variety of sound carriers, which are even more discounted.
Audio downloads via audite.de are available during our winter sale at a 20% discount in MP3, WAVE and FLAC format, in stereo as well as in surround, including HD downloads.

With audite's winter sale you will receive both our historical recordings (with legendary artists such as Wilhelm Furtwängler, Jacqueline du Pré and Jorge Bolet), special discoveries of our label (such as the award-winning Premiere Recording of Franz Liszt's Opera Sardanapalo or the First Recording of György Kurtág's 'Scrapbooks' ('Sudelbücher') with Viktoriia Vitrenko and Niek de Groot) as well as recent large editions (eg the Quartetto di Cremona's Beethoven Cycle or the Recording of the Complete Symphonic Works of Edvard Grieg and Robert Schumann) at a bargain price.

We wish you good moments of intense listening and with lots of pleasure!

Neuigkeit Nov 26, 2019 | Sabine Wiedemann News Opernwelt: Edith Mathis - CD of the Month

​Uwe Schweikert writes: "For the unprepared listener it [the live recording] seems like a revelation. The first impression that arises is amazement - amazement at the glamour of the voice as well as at the perfection of the singing." He continues: "... excellently accompanied by Karl Engel, who knows how to put his stamp on this recital at the piano. A jewel!"

Neuigkeit Jan 16, 2020 | Wencke Wallbaum News & Rezension Diapason d'or for Edith Mathis

The Diapason d'or (literally "Golden Tuning Fork" in French) is a recommendation of outstanding (mostly) classical music recordings given by reviewers of Diapason magazine in France, broadly equivalent to "Editor's Choice", "Disc of the Month" in the British Gramophone magazine.

The Diapason d'or de l'Année (literally "Golden Tuning Fork of the Year") is a more prestigious award, decided by a jury comprising critics from Diapason and broadcasters from France Musique, and is comparable to the United Kingdom's (UK) Gramophone Awards, associated with the Gramophone magazine.

The Diapason d'or is considered one of the most important independent European record awards for classical music.

Neuigkeit Jan 17, 2020 | Kristina Damiani News Three audite productions on new longlist of German Record Critics' award (PdSK)

​153 jurors from 32 specialist juries have chosen 280 productions (CDs, DVDs and audio books) from new releases of the last quarter and nominated them for the Quarterly Critics' Choice ("Bestenliste") 1/2020 of the German Record Critics' Award (PdSK), which will be issued on February 15th.

Among these are also three audite productions:

Johann Bernhard Bach: Orchestral Suites was nominated in the category Early Music, String Trios by Weinberg - Penderecki - Schnittke was chosen in the category chamber music and in the category historical recording Edith Mathis sings Mozart, Bartók, Brahms, Schumann and Strauss: Selected Lieder.

 We are very happy about this appreciation!

The quarterly and annual awards of the German Record Critics' Award (PdSK) are sought-after prices in the German music scene. The winners of the quarterly awards are included in the Quarterly Critics' Choice ("Bestenliste") of the German Record Critics' Award. The lists recommend new releases which merit special attention for the quality of interpretation and for their value to the repertoire. These lists provide a candid picture of new releases which, in the jury's opinion, are of outstanding importance when judged on purely artistic and audiophile grounds.

Neuigkeit Feb 14, 2020 | Wencke Wallbaum News & Rezension German Record Critics’ Award for archival recordings of Edith Mathis

The quarterly and annual awards of the German Record Critics' Award are sought-after prices in the German music scene. The winners of the quarterly awards are included in the Quarterly Critics' Choice ("Bestenliste") of the German Record Critics' Award. The lists recommend new releases which merit special attention for the quality of interpretation and for their value to the repertoire. These lists provide a candid picture of new releases which, in the jury's opinion, are of outstanding importance when judged on purely artistic and audiophile grounds.

Statement of the Jury:
„Anmut - dieser Begriff kommt einem sofort in den Sinn, wenn man den historischen Live-Mitschnitt eines Liederabends von Edith Mathis hört. Anmut hat mit Poesie zu tun, mit Natürlichkeit und einer kunstvollen Schlichtheit. Anmut kann aber auch pragmatische Aspekte beinhalten: Edith Mathis, damals, 1975, im Zenit ihres Könnens, hatte sich stets an die Möglichkeiten ihrer Stimme gehalten. Sie ist sich selbst treu geblieben, um als Interpretin vielseitig sein zu können. So trifft sie Schumanns lyrische Innerlichkeit ebenso wie die Drastik der „Dorfszenen" von Bartók, die schwärmerische Gefasstheit von Mozarts „Abendempfindung" ebenso wie die Pointen bei Richard Strauss. Man spürt die Konzentration der Zuhörer. Und teilt ihre Begeisterung." (Für die Jury: Stephan Mösch)

Suche in...

...